Live performance demands audio and video that survive real show conditions — loud, fast-changing, and unforgiving of failure. As a live-event AV consultant based in Jakarta, ALTA Integra designs systems for theatres, concert halls, arenas, and live event venues where sound must reach every seat intelligibly and video must read clearly from any sightline.
Our scope spans line-array and point-source loudspeaker design, stage monitoring and in-ear systems, FOH and monitor console specification, wireless microphone and IEM RF coordination, and video projection or LED-wall integration synchronised to the performance. We model coverage in EASE and verify intelligibility against STI and speech-transmission targets before a single speaker is hung.
Because live shows run on tight technical windows, we design for fast changeover, touring compatibility, and operator simplicity — specifying rigging, power distribution, and signal routing that a touring crew can trust without a manual. Commissioning follows AVIXA performance-verification practice, confirming coverage, gain structure, and RF spectrum before doors open.
Immersive AV surrounds an audience rather than facing them — object-based spatial audio, edge-blended projection, and synchronised multi-sensory media that make a space feel alive from every angle. As an immersive AV consultant based in Jakarta, ALTA Integra designs for experiential galleries, brand activations, planetariums, themed attractions, and multimedia installations where the room itself becomes the screen.
Our scope covers object-based audio (Dolby Atmos, d&b Soundscape, L-ISA), multi-projector edge-blending and warping, LED-volume and video-wall calibration, and show-control programming that keeps dozens of media layers in perfect sync. Content is previewed and calibrated against the physical room geometry, not a flat reference screen, since immersive systems succeed or fail on how well they match the actual space.
We commission with objective measurement — coverage uniformity, blend seams, spatial-audio localisation accuracy, and sync drift — so what audiences experience matches what was designed, show after show, without a technician riding the system by hand.
Post-production and broadcast environments live or die on calibration — a monitor, speaker, or signal path that drifts from reference undermines every creative decision made in the room. As a broadcast AV consultant based in Jakarta, ALTA Integra designs recording studios, edit suites, colour-grading theatres, and broadcast control rooms built around consistent, repeatable technical reference.
Our scope covers acoustic and monitoring calibration to ITU-R BS.1116 and SMPTE reference levels, signal routing and format conversion (SDI, NDI, ST 2110), master-control and playout integration, and redundant infrastructure for on-air reliability. We coordinate with acousticians on room treatment so what's heard in the suite matches what audiences hear at home.
Because broadcast cannot go dark, we specify redundant paths, backup power, and failover switching validated before hand-over — and commission every suite against SMPTE and EBU broadcast standards so colour, level, and sync stay correct from ingest through transmission.
Hybrid collaboration fails the moment remote participants can't hear, see, or be seen clearly — and succeeds when the technology disappears behind the conversation. As a hybrid-meeting AV consultant based in Jakarta, ALTA Integra designs meeting rooms, boardrooms, training centres, and lecture halls where in-room and remote participants share one seamless experience.
Our scope covers auto-tracking and voice-lift camera systems, beamforming microphone arrays, one-touch conferencing (Teams, Zoom, Google Meet) integration, and lecture-capture systems for education spaces — all specified around simplicity, since a hybrid room only works if staff can start a call without a training session.
We coordinate with IT on network bandwidth and Quality-of-Service for conferencing traffic, and commission each room against AVIXA's audio-coverage and camera-framing guidelines, confirming that a remote participant's experience is genuinely equivalent to being in the room, not a compromise.
A building communicates constantly — wayfinding, safety announcements, brand messaging, and live information — and building-wide AV is the infrastructure that carries it consistently across every space. As a building-systems AV consultant based in Jakarta, ALTA Integra designs digital signage networks, public-address and voice-evacuation systems, and information displays for offices, malls, hospitals, and transit facilities.
Our scope covers content-management-system integration for centralised signage control, zoned public-address design for intelligible announcements in acoustically difficult spaces, way-finding display placement, and video-wall or media-column installations that anchor a building's public areas. Systems are designed to run unattended for years, not just perform well on hand-over day.
We coordinate with fire and life-safety consultants where voice evacuation is required, and commission for speech intelligibility (STI) throughout circulation and public spaces — following NFPA 72 and AVIXA guidance so critical announcements are heard clearly under any condition, not just quiet ones.
Command centres run on situational awareness — operators making time-critical decisions from dense, always-on visual information, where a lag or a misread screen has real consequences. As a command-centre AV consultant based in Jakarta, ALTA Integra designs 24/7 control rooms, network operations centres, and security command rooms built for sustained, high-pressure use.
Our scope covers high-density video-wall design (LED or LCD), low-latency signal management for real-time monitoring feeds, ergonomic console and sightline layout, and redundant control-room infrastructure that keeps operators working through a component failure, not just around it. Every signal path is specified for the latency budget the operation actually needs, not a generic default.
We commission with uptime and redundancy as first-class requirements — validating failover switching, backup power, and 24/7 thermal management alongside image quality — because a command centre's AV system is infrastructure the operation depends on, not a presentation tool.